.: Talulah :.

...In this great future you can't forget your past...

sábado, julio 17, 2004

BT

Es bonito ir a una fiesta y encontrarse con tan buen ambiente.

Ya estaba un poco mamada de ir a todos esos eventos y ver siempre lo mismo, temerle al laser de elit, por miedo a que dane la camara, tener que aguantarme a todos los personajes raros que suelen frecuentar esa clase de fiestas, fumar un poco y esperar a que no me pase nada. Aguantarme a la persona que vaya conmigo y aguntar a las personas que van con los que yo voy.

Pero este viernes fue distinto.

Eramos 4, pero sentia que estaba con 800 personas, todas concidas, todas amables, todas con un solo fin. Ver y escuchar al uno de los mejores productores que habitan en este planeta. Primero Guillo, mi gran amigo, mi concejero, mi critico de cabecera, que buen toque, nunca habia escuchado tan fuerte potencia salida de sus manos, de su cabeza, de su corazon, de sus vinilos, muy arriba, pero tal como me lo dijo, "... no dejara de ser dark...".

Luego se sube este señor BT, y unos haces de luz se desprende de su espalda formado la imagen idealista de un amanecer en cualquier lugar, cuando el sol atraviesa el cuerpo y solamente se dibuja una figura en la imaginacion. Para este entonces yo ya estaba arriba, sentada, alejada de todos aquellos que anadaban en ambiente de rumba, y despues de unas cuantas fumadas, me disponia a escuchar lo que mal o bien llamaron live symphony.

Que loquera escuchar a un man tan pilo haciendo musica en vivo, tocando un poco los teclados, cuadrando tonalidades, etc, que buena vaina.

Que loquera ver que en el mundo aun hay manes pilos y lindos, que estan dispuestos a entregarle toda su energia a aquellos que quieren un poco.

Luego, Liluca 2; Nunca los habia visto ni esuchado, tocaron super rico y con algo que yo no conocia, no se como se llama, solo que no era ni dennon ni tornas ni pc, era algo asi como un mixer con una pantallita, algo bastate extrano para mi. PEro bueno, ya era hora de irnos, ya era necesario que me pusiera de pie, las sillas de theatron son demasiado comodas para la rumba, pero hay momentos en los que las piernas empiezan a mandar impulsos pidiendo que sean puestas en accion. Baile un poquito y luego, nos fuimos, llegue a casita a dormir, que mejor placer.

Algo de BT

BT, born Brian Transeau, grew up outside Washington D.C. where the first evidence of his musical talent manifested as mastery of composers such as Chopin and Bach by age six. A great break in musical direction came when he heard electronic music as an adolescent. "This is what my heroes Debussy, Stravinsky and the like were looking for. Technology-based music is the only idiom that packs such infinite sonic possibilities. After being introduced to artists like Cabaret Voltaire and Depeche Mode, I turned my back on classical music for quite awhile."

BT's sense of individualism also inspired his scholastic decisions. He dropped out of the prestigious Berklee College of Music in Boston in 1990 to shop his electronic music in Los Angeles. Many doors were slammed in his face because few understood his new unique sound, but he refused to compromise his vision. He returned to the D.C. area and launched Deep Dish Records with long-time high school friends, and recent Grammy award winners, Deep Dish.

Within the year, BT's first releases garnished the attention of English dance pioneer, Sasha, who gave BT his first taste of stardom and the rewards of dance culture. "The first venue he took me to was a barn in Brighton, England," BT recalls, "It was the most amazing party. Three thousand people were sweating and crying over my songs like 'Embrace The Future.' I had found my people."

BT's mix of epic and classically inspired journeys and beats quickly took on the name Trance, and became one of the most popular and dominant electronic music genres played in clubs from London to Tokyo and New York. BT's talent and persistence had finally paid off and he later released his epic albums, IMA, ESCM, and the wildly diverse Movement In Still Life, featuring the hit single, "Never Gonna Come Back Down."

BT has also gained the reputation as a talented and versatile film score composer. He scored movies such as the blockbuster hit The Fast and the Furious, Doug Liman's Go, Under Suspicion, starring Morgan Freeman and Gene Hackman, and he's currently working on the highly anticipated Monster starring Charlize Theron and Christina Ricci.

"To marry melody, harmony and memorable songwriting with the most bleeding-edge technology possible is my passion. These are the things that excite me."


Me AcOmPaNa: Karma Camaleon - Culture Club

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